Contents

Bibliographical Abbreviations

Other bibliographical items, cited only once, can be found in the catalogues.

AB The Art Bulletin
Achiardi, 1908 Achiardi, Pietro d’, Sebastiano del Piombo, Rome, 1908
Actes, 1975 Actes du collogue international sur l’art de Fontainebleau (Fontainebleau and Paris, 18, 19, 20 October 1972), ed. André Chastel, Paris, 1975
Actes de Francois Ier, 18871908 Catalogue des Actes de Francois Ier, 10 vols, 1887–1908
Adelson, 1980 Adelson, Candace, “Bachiacca, Salviati and the Decoration of the Sala dell’Udienza in Palazzo Vecchio,” Le arti del principato mediceo, Specimen, 6, Florence, 1980, 141–200
Adhémar, 1938 Adhémar, Jean, Inventaire du fonds français, Bibliothèque nationale, Dèpartment des estampes. Graveurs du XVI siècle, 2, Paris, 1938
Adhémar, 1946 Adhémar. Jean, Les graveurs français de la renaissance, Paris, 1946
Adhémar, GdBA, XXX, 1946 Adhémar, Jean “The Collection of Paintings of Francis I,” GdBA, 6th series, XXX, 1946, 5–16
Adhémar, 1953 Adhémar, Jean, “Pierre Milan et les origines de l’école de Fontainebleau” GdBA, 6th series, XLI, 1953, 361–364, English trans., 380–381
Adhémar, 1954 Adhémar, Jean, Le dessin français au XVI siècle, Lausanne, 1954
Adhémar, JWCI, XVII, 1954 Adhémar, Jean, “Aretino: Artistic Adviser to Francis I,” JWCI, XVII, 1954, 311–318; originally published as “L’Arétin conseilleur artistique de François I,” Mélanges van Moé, Paris, 1950
Adhémar, 1955 Adhémar, Jean, French Drawing of the XVI Century, New York, 1955
Adhémar, 1959 Adhémar, Jean, “Compléments de l’inventaire du fonds français du Cabinet des Estampes de Paris,” Bibliothèque d’humanisme et de renaissance, XXI, 1959, 468–472
Adhémar, 1969 Adhémar, Jean, “Henri Zerner et les etapes de l’école de Fontainebleau,” GdBA, 6th series, LXXIV, 1969, 116–120
Adhémar, 1974 Adhémar, Jean, “Les cartouches de Fontainebleau,” Nouvelles de l’estampes, XVII, 1974, 32
Age of Vasari, 1970 The Age of Vasari exh. cat., Notre Dame–Binghamton, 1970
Alazard, 1924; 1948 Alazard, Jean, Le portrait florentine de Botticelli à Bronzino, Paris, 1924; translated as The Florentine Portrait, London–Brussels, n. d. [1948]
Alberti, 1972 Alberti, Leon Battista, On Painting and Sculpture, ed. Cecil Grayson, London–York, 1972
Alciati–Daly, 1985 Alciati, Andreas, Index eblematicus, I: The Latin Emblems. Indexes and Lists, II: Emblems in Translation, ed. Peter M Daly, with Virginia Callahan, assisted by Simon Cuttler, Toronto–Buffalo, 1985
Alleau (and Destanque), 1967 Alleau, René, Guide de Fontainebleau mystérieux, (“Iconographie” by Pierrette Destanque), Paris, 1967, 204–223
Ames, 1954 Ames, Winslow, “Some Physical Types Favored by Western Artists,” GdBA, 6th series, KLIV, 1954, 91–116
Amicizia, 1899 Amicizia, Giuseppe, Guida artisticocommerciale di Città di Castello, Città di Castello, 1899
Andrea da Salerno, 1985 Andrea da Salerno nel Rinascimento meridionale, exh. cat., Giovanni Previtali, ed., Padula (Salerno), 1986, San Casciano (Florence), 1986
Andrews, 1968 Andrews, Keith, Catalogue of Italian Drawings at the National Gallery of Scotland, 2 vols., Cambridge, 1968
Androsov, 1976 Androsov, Sergey O. “Tre bronzi veneziani dell’ inizio del XVI sec. all’Ermitage,” Arte Veneta, XXX, 1976, 158163
Angelini, 1986 (1987) Angelini, Alessandro, Review of exhibition Andrea del Sarto 14981530. Dipinti e disegni a Firenze, Firenze, Palazzo Pitti, novembre 1986marzo 1987, Prospettiva, 45, 1986 (printed in 1987) 8592
Annunziata Arezzo, 1990 (1993) Atti del Convegno di Studi su La Chiesa della SS. Annunziata di Arezzo nel 500o della sua Costruzione, Arezzo, Casa del Petrarca, 14 September 1990 (Accademia Petrarca di Lettere Arti e Scienze, Arezzo), Città di Castello, 1993
Antal, 19391940 Antal, Frederick, “Drawings of Salviati and Vasari after a Lost Picture by Rosso,” Old Master Drawings, XIV, 19391940, 4749
Antal, BM, 1951 Antal, Frederick, “Italian Fifteenth and Sixteenth Century Drawings at Windsor Castle,” (review of Popham and Wilde, 1949), BM, XCII, 1951, 2835
Antal, 1955 Antal, Frederick, Fuseli Studies, London, 1956
Antal, 1966 (19281929) Antal, Frederick, “Zum Problem des Niederländischen Manierismus,” Kritische Berichte zur Kunstgeschichtlicher Literatur, 34, 192829; translated as “The Problem of Mannerisim in the Netherlands,” in Antal, Frederick, Classicism and Romanticism with other Studies in Art History, London, 1966, 47106
Anxiety and Elegance, 1962 Anxiety and Elegance, The Human Figure in Italian Art 15201580, exh. cat., 125 May 1962, Fogg Art Museum, Harvard University, Cambridge, Mass., 1962
ApuleiusGaselee, 1957 Apuleius, The Golden Ass, trans. W. Adlington, revised S. Gaselee, Cambridge, Mass.London, 1958
AretinoCamesasca, 1957 Aretino, Pietro, Lettere sull’arte di Pietro Aretino, ed. Ettore Camesasca, I, Milan, 1957
Argan, 1968 Argan, Carla Giulio, Storia dell’arte italiana, Florence, 1968
Arnauldet, 1861 Arnauldet, Thomas, “Noël Garnier et Jean Viset, orfèvres-graveurs en taille-douce,” Archives de l’art français, 1861, 357369
Art Francais Ancien, 1935 Art Francais Ancien XIIe-XVIIe siècle, Exposition des dessins, manuscripts, enluminés, miniatures, livres et xylographies conservés dans les collections de l’École et tirés en majeure partie de la donation Jean Masson, Paris, École nationale supérieure des Beaux-Arts, 1935
Art Italien, 1935 Art italien des XVe et XVIe siècle, exh. cat., Paris, École des Beaux-Arts, 1935
Askew, 1990 Askew, Pamela, Caravaggio’s “Death of the Virgin,” Princeton, 1990
Aspetti dell’Arte, 1984 Aspetti dell’Arte a Roma primo e dopo Raffaello, exh. Cat., Rome, 1984
Azzi, 1931 Azzi, Giustiniano degli, “Documenti su artisti aretini e non aretini lavoranti in Arezzo,” Il Vasari, IV, 1931, 4969; reprinted in Azzi, Giustiniano degli, Documenti su opere d’arte e pittori aretini, with notes by Alessandro del Vita, Dalla Casa Vasari, Arezzo, 1933
Babelon, 1989 Babelon, Jean-Pierre, Les Châteaux de France au siècle de la Renaissance, Paris, 1989
Bacchus, Vénus et l’Amour, 1989 “Bacchus, Venus, et l’Amour.” Redécouvert d’un tableau de Rosso Fiorentino, peintre de Francois Ier, exh. cat., Luxembourg, 1989
Bacou, 1955 Bacou, Roseline, Choix de dessins de maîtres florentins et siennois de la première moitié du XVIe siècle, exh cat., Louvre, Cabinet des Dessins, Paris, 1955
Bacou, 1968 Bacou, Roseline, with the collaboration of Françoise Viatte, Great Drawings of the Louvre Museum. The Italian Drawings, New York, 1968
BaertReiffenberg, 1848 Baert, Phillipe, Mémoires sur les sculpteurs et architects aux Pays-Bas, MS, Brussels, Bibliothèque Royale, Fonds de M. Van Hulthem, Cat. imp., nos. 847 et 848, published by M. le baron de Reiffenberg, in Compte-rendu des sèances de la Commission Royale d’Histoire ou Recueil de ses Bulletins, XIV, 1848, 39101, 528574
Baldini, 1982 Baldini, Umberto, ed., Metodo e scienza operatività e ricerca nel restauro, exh. cat., Palazzo Vecchio, 23 June 19826 January 1983, Florence, 1982
Baldus, 1881 Baldus, Edouard, Oeuvre de Jagues Androuet dit du Cerceau, Héliogravure par Edouard Baldus, Paris, n.d. [1881?]
Ballardini, 1938 Ballardini, Gaetano, Corpus della maiolica italiana. II. Le maioliche datate dal 1531 al 1535, Rome, 1938
Balsano, 2006  Balsano, Jean, “Poetical and Political Readings of Petrarch’s Rime in XVIth Century France: A Critical Revaluation,” Petrarch and His Readers in the Renaissance, ed. Karl A. E. Enenkel and Jan Papy, Leiden and Boston, 2006, 261285
Banker, 1988 Banker, James R., Death in the Community. Memorialization and Confraternites in an Italian Commune in the late Middle Ages, AthensLondon, 1988
Bann, 1989 Bann, Stephen, The True Vine. On the Visual Representation and the Western Tradition, Cambridge, 1989
Baratte, 1993 Baratte, Sophie, Léonard Limosin au musée du Louvre, Paris, 1993
Barbet de Jouy, 1861 Barbet de Jouy, H, “La Diana de Fontainebleau,” GdBA, X, 1861, 713
Barcia, 1906 Barcia, Angel M. de, Catàlogo de la colección de dibujos oriainales de la Biblioteca national, Madrid, 1906
Bardon, 1963 Bardon, François, Diane de Poiters et le mythe de Diane, Paris, 1963
Barocchi, 1950 Barocchi, Paola, Il Rosso Fiorentino, Rome, 1950
Barocchi, Commentari, 1950 Barocchi, Paola, “Ricognizione testuale e valutazione critica del Rosso di Fontainebleau”‘ Commentari, I, 1950, 157162
Barocchi, 1951 Barocchi, Paola, “Precisazioni sul Primaticcio,” Commentari, II, 34, 1951, 203223
Barocchi, 1956 Barocchi, Paola, “Il Vasari Pittore,” Rinascimento, VII, no. 2, Dec. 1956, 187217
Barocchi, 1958 Barocchi, Paola, “Riepilogo sul Rosso e sul Primaticcio,” Actes du XIXe Congrès International d’Histoire de l’Art, Paris, 1958, 233239
Barocchi, 1962 Barocchi, Paola, Michelangelo e la sua scuola, I disegni di Casa Buonarroti e degli Uffizi, 2 vols., Florence, 1962
Barocchi, 1964 Barocchi, Paolo, Mostra di disegni del Vasari e della sua cerchia, Florence, 1964
Barocchi, Vasari, 1964 Barocchi, Paola, Vasari pittore, Milan, 1964.
Barocchi and Ristori, 1973 Barocchi, Paolo, and Renzo Ristori, Il Carteggio di Michelangelo, III, ed. Giovanni Poggi (posthumous), Florence, 1973
Barolsky, 1978 Barolsky, Paul, Infinite Jest, Wit, and Humor in Italian Renaissance Art, ColumbiaLondon, 1978
Barolsky, 1979 (1969) Barolsky, Paul, Daniele da Volterra, A catalogue raisonné, New York, 1979; from a PhD Thesis, Harvard University, 1969
Barolsky, 1987 Barolsky, Paul, Walter Pater’s Renaissance, University ParkLondon, 1987
Barolsky, 1990 Barolsky, Paul, Michelangelo’s Nose, University ParkLondon, 1990
Barolsky, 1991 Barolsky, Paul, Why Mona Lisa Smiles and Other Tales by Vasari, University Park, 1991
Barolsky, 1992 Barolsky, Paul, Giotto’s Father and the Family of Vasari’s “Lives”, University Park, 1992
Bartsch Bartsch, Adam, Le peintre-graveur, 21 vols., Vienna, 18031808
Basan, (Mariette Sale), 1775 Basan, F., Catalogue raisonné des différence objects de curiosités dans les sciences et arts gui composoient le Cabinet de feu M. Mariette…, Paris, 1775
Battistini, 1928 Battistini, Mario, “Il Rosso Fiorentino pittore,” Miscellanea Votterrana, Pescia, I, 1928, 16
BdA Bollettino d’Arte
Bean, 1960 Bean, Jacob, Inventaire Général des Dessins des Musées de Province, IV, Bayonne, Musée Bonnat. Les Dessins italiens de la Collection Bonnat, Paris, 1960
Bean, 1982 Bean, Jacob, with the assistance of Lawrence Turcic, 15th and 16th Century Italian Drawincs in the Metropolitan Museum of Art, New York, 1982
Becherucci, 1944; 1949 Becherucci, Luisa, Manieristi Toscani, Bergamo, 1944; 2nd ed., 1949
Becherucci, 1955 Becherucci, Luisa, “Momenti dell’artefiorentina nel cinquecento,” Il cinquecento (Libera cattedra di storia della civiltà fiorentina [Unione Fiorentina]), Florence, Sansoni, 1955, 159183
Becherucci, 1958 (1968) Becherucci, Luisa, “Mannerism,” EWA, IX, 1968, cols. 443478; Italian ed. 1958
Becherucci, 1965 Becherucci, Luisa, Giuseppe Bellini, Mario Bellini, Carlo L. Ragghianti, Gualtiero Volterra, “Consistenza e valore dei dipinti della Galleria degli Uffizi,” Critica d’Arte, new series, XII, fasc. 72, 1965, 1671
Beck, 1996 Beck, James, Review of Franklin, 1994, American Historical Review, 101, 1, 1996, 202203
Béguin, 1960 Béguin, Sylvie, L’École de Fontainebleau, Le Manierisme a la Cour de France, Paris, 1960
Béguin, L’Oeil, 1960 Béguin, Sylvie, ‘Un aspect negligé, de l’École de Fontainebleau: la peinture sacrée,” L’Oeil, 72, 1960, 5565
Béguin, 1964 Béguin, Sylvie, “Toussant Dubreuil, premier peintre de Henri IV,” Art de France, IV, 1964, 85107
Béguin, 1965 Béguin, Sylvie, Rosso e Primaticcio al Castello di Fontainebleau, MilanGeneva, 1965
Béguin, 1966 Béguin, Sylvie, Review of exhibition “Between Renaissance and Baroque. European Art 15201600,” Master Drawings, IV, 1, 1966, 5659
Béguin, Mariette, 1967 Béguin, Sylvie, Le cabinet d’un grand amateur, P. J. Mariette, exh. cat., Paris, Louvre, 1967
Béguin, 1969 Béguin, Sylvie, Mostra di Nicolò dell’ Abate, Bologna, 1969
Béguin, Revue du Louvre, 1969 Béguin, Sylvie, “La vierge, reine des anges par le Primatice,” La Revue du Louvre et des Musées de France, XIX, 3, 1969, 143156 Béguin, RdA, 1969
Béguin, RdA,1969 Béguin, Sylvie, Revue of Zerner, 1969, RdA, 5, 1969, 103107
Béguin, 1970 Béguin, Sylvie, Il cinquecento francese, I disegni dei maestri, ed. Walter Vitzthum, Milan, 1970
Béguin, “Maître Roux,” 1972 Béguin, Sylvie, “Le directeur des travaux: “Maître Roux”” “Galerie,” RdA, 1972, 102105
Béguin, “Mythologuique” 1972 Béguin, Sylvie, “Le programme mythologique,” “Galerie,” RdA, 1972, 165167
Béguin, et al, 1972 Béguin, Sylvie, André Chastel, Georg Kauffman, Myron Laskin, Jacques Thuillier, Henri Zerner, “L’École de Fontainebleau,” L’Oeil, 215, 1972, 213
Béguin, and Pressouyre, 1972 Béguin, Sylvie, and Sylvie Pressouyre, “Documentation, descriptions, interprètations et exégéses,” “Galerie,” RdA, 1972, 124142
Béguin, 1975 Béguin, Sylvie, “Remarques sur la Chambre du roi,” in Actes, 1975, 199230
Béguin, 1976 Béguin. Sylvie, “Empédocle, un dessin inédit de Rosso,” Paragone, 317319, 1976, 7782.
Béguin, 1982 Béguin, Sylvie, “Contribute allo studio dei disegni del Primaticcio,” BdA, LXVII, 6th series, 15, 1982, 2752
Béguin, Louvre, 1982 Béguin, Sylvie, Le XVIe siècle florentin au Louvre, Paris, 1982
Béguin, Guillaume, Roy, 1985 Béguin, Sylvie, Jean Guillaume, and Alain Roy, La galerie d’Ulvsse à Fontainebleau, Paris, 1985
Béguin, 1988 (1989) Béguin, Sylvie, “Un projet de Rosso pour le chapitre de Notre-Dame de Paris,” Bulletin de la Société de l’Histoire de l’Art français, 1988 (1989), 716
Béguin, 1989 Béguin, Sylvie, “New Evidence for Rosso in France,” BM, CXXXI, 1989, 828838
Béguin, CASVA, 1989 Béguin, Sylvie, “Rosso Fiorentino Studies,” Center 9, Research Reports and Record of Activities, June 1988May 1989, National Gallery of Art, Center for Advanced Study in the Visual Arts, Washington, 1989, 3940
Béguin, Paragone, 1989 Béguin, Sylvie, “À propos des Andrea del Sarto au Musée du Louvre,” Paragone, XL, no. 18 (477), 1989, 322
Béguin, 1990 Béguin, Sylvie, “Rosso Fiorentino’s St. Peter and St. Paul, Print Quarterly,” VII, 2, 1990, 164167
Béguin, 1992 (1987) Béguin, Sylvie, “Projets Bellifontains,” Dal disegno all’opera compiuta, Atti del Convegno Internazionale, Torigiano, 1987, ed. M. di Giampolo, Perugia, 1992, 8996
Bdguin, 1994 BLguin, Sylvie, “Two Notes on Decorations inthe Galerie Franpois I at Fontainebleau,” JWCI, LVII, 1994, 270278
Béguin, 1995 Béguin, Sylvie, “Paris, Cambridge and New York, Sixteenth-century French drawings,” BM, CXXXVII, 1995, 192195
Bell, 1914 Bell, C. F., Drawings by the Old Masters in the Library of Christ Church, Oxford, Oxford, 1914
Bendinelli, 1929 Bendinelli, Goffredo, “Arpia,” Enciclopedia italiana, IV, 1929, 568569
Benesch, 1947 Benesch, Otto, The Art of the Renaissance in Northern Europe, Its Relation to the Contemporary Spiritual and Intellectual Movement, Cambridge, Mass., 1947
Berckenhagen, 1968 Berckenhagen, Ekhart, “Zeichnungen der ‘École de Fontainebleau’ in Berlin,” Berliner Museen, 18, 1968, 1123
Berckenhagen, 1970 Berckenhagen, Ekhart, Die Französischen Zeichnungen der Kunstbibliothek Berlin, Berlin, 1970
Berenson, 1896; 1909 Berenson, Bernhard, The Florentine Painters of the Renaissance, 1st ed., New YorkLondon, 1896; 3rd ed., revised and enlarged, New YorkLondon, 1909
Berenson, 1903 Berenson, Bernhard, The Drawings of the Florentine Painters, 2 vols., London, 1903
Berenson, 1932 Berenson, Bernhard, Italian Pictures of the Renaissance, Oxford, 1932
Berenson, 1938 Berenson, Bernard, The Drawings of the Florentine Painters, amplified edition, 3 vols., Chicago, 1938
Berenson, 1957 Berenson, Bernard, Italian Pictures of the Renaissance, Venetian School, 2 vols., New York, 1957
Berenson, 1961 Berenson, Bernard, I disegni dei pittori fiorentini, 3 vols., Milan, 1961
Berenson, 1963 Berenson, Bernard, Italian Pictures of the Renaissance, Florentine School, Greenwich, Conn., 2 vols., 1963
Berlin cat., 1931 Beschreibendes Verzeichnis der Gemälde im Kaiser Friedrich-Museum, and Deutschen Museum, 9th ed., 1931
Berliner, 19251926 Berliner, Rudolf, Ornamental Vorlaae-Blätter des 15. bis 18. Jahrhunderts, Leipzig, I, 1925, II, 1926
Berti, 1955 Berti, Luciano, La casa del Vasari in Arezzo e il suo museo, Florence, 1955
Berti, 1961 Berti, Luciano, Il Museo di Arezzo, Rome, 1961
Berti, 1965 Berti, Luciano, Pontormo disegni, Florence, 1965
Berti, 1973 Berti, Luciano, L’opera completa del Pontormo, Milan, 1973
Berti, 1983 Berti, Luciano, “Per gli inizi del Rosso Fiorentino,” BdA, LXVIII, 6th series, 18, 1983, 4560
Berti, 1984 Berti, Luciano, “Il paradiso perduto dei manieristi,” Il complesso monumentale di San Lorenzo, la basilica, le sagrestie, le cappelle, la biblioteca, ed. Umberto Baldini and Bruno Nardini, Florence, 1984, 153156
Berti, 1993 Berti, Luciano, Pontormo e il suo tempo, Florence, 1993
Bertini, 1952 Bertini, Aldo, “Fontainebleau e la maniera italiana,” Emporium, CXVI, 1952, 147164
Bertini, 1958 Bertini, Aldo, I disegni italiani della Biblioteca Reale di Torino, Rome, 1958
Bertini, 1987 Bertini, Giuseppe, La galleria del Duca di Parma, Storia di una Collezione, Bologna, 1987
Bertini, BdA, 1952 Bertini, Aldo, “Disegni inediti del Pontormo e della cerchia del Rosso nella Biblioteca Reale di Torino,” BdA, XXXVII, 4th series, 4, 1952, 310314
Bettagno, 1966 Bettagno, Alessandro, Disegni di una collezione veneziana del settecentto, exh. cat., Venice, Cini Foundation, Vincenza, 1966
Between Renaissance and Baroque, 1965 Between Rennaissance and Baroque, European Art 15241600, exh. cat. by F. G. Grossman, City of Manchester, Art Gallery, 1965
Biagioli, 1993 Biagioli, Mario, Galileo, Courtier. The Practice of Science in the Culture of Absolutism, ChicagoLandon, 1993
Bialostocki, 1981 Bialostocki, Jan, “La gamba sinistra della Giuditta: il guadro di Giorgione nella storia del tema,” Giorgione e l’umanesimo veneziano, 1981, I, (Civiltà veneziana, Saggi), 27, 193226
Bimbenet-Privat and Le Bars, 1994 BimbenetPrivat, Michele and Fabienne Le Bars, “New Documents on Sixteenth-Century Printmaking in Paris,” Print Quarterly, XI, no. 2, 1994, 151155
Binenbaum and Pressouyre, 1972 Binenbaum, Oreste, and Sylvie Pressouyre, “Dossier Technique,” “Galerie,” RdA, 1972, 4596
Bjurström, 1976 Bjurström, Per, Drawings in Swedish Public Collections. French Drawings: Sixteenth and Seventeenth Centuries, Stockholm, 1976
Bjurström, 1987 Bjurström, Per, The Art of Drawing in France 14001900, Drawings from the National Museum, Stockholm, exh. cat., New York, 1987
Blomfield, 1911 Blomfield, Reginald, A History of French Architecture from the Reign of Charles VIII Till the Death of Mazarin, London, I, 1911
Blunt, 1953; 1973 Blunt, Anthony, Art and Architecture in France 1500 to 1700, London, 1953; with revisions 1973
Blunt, 1958 Blunt, Anthony, Philibert de L`Orme, London, 1958
BM The Burlington Magazine
Boase, 1979 Boase, Thomas S.R., Giorgio Vasari, The Man and the Book, Princeton, 1979
Bober and Rubinstein, 1986 Bober, Phyllis Bray, and Ruth Rubinstein, Renaissance Artists and Antique Sculpture, LondonOxford, 1986
Bocchi, 1591 Bocchi, Francesco, Le Bellezze delta Città di Firenze, Florence, 1591
BocchiCinelli, 1677 Bocchi, Francesco, Le Bellezze della Citte di Firenze, 2nd ed., ed. G. Cinelli, Florence, 1677
Bohlin, IB, 39, 1980 Diane de Grazia, ed., The Illustrated Bartsch, 39, Formerly Volume 18 (Part 1), Italian Masters of the Sixteenth Century, New York, 1980
Bologna and Causa, 1952 Bologna, Ferdinando and Raffaello Causa, Fountainebleau e la maniera italiana, exh. cat., Naples, 26 July12 October 1952, Florence, 1952
Bolzoni, 1984 Bolzoni, Lina, Il teatro della memoria: studi di Giulio Camillo con un’appendice di testi, Padua, 1984
Bombe, 1916 Bombe, Walter, “Domenico Alfani,” Jahrbuch der Köniclich Preuszischen Kunstsammluncen, XXXVII, Supplement, Berlin, 1916, 122
Bonito Oliva, 1976 Bonito Oliva, Achille, L’ideoloaia del traditore. Arte, maniera, manierismo, Milan, 1976
Bonsanti, 1994 (1996) Bonsanti, Giorgio, “Rosso nella bottega di Andrea del Sarto,” in Empoli e Volterra, 1994 (1996), 164168
Boorsch and Spike, IB, 28, 1985 Boorsch, Suzanne and John Spike, ed., The Illustrated Bartsch, 28, Formerly Volume 15 (Part 1), Italian Masters of the Sixteenth Century, New York, 1985
Boorsch, 1988 Boorsch, Suzanne, “Rosso Fiorentino at the National Gallery,” The Print Collector’s Newsletter, XIX, 1, MarchApril 1988
Boorsch, 1989 Boorsch, Suzanne, “Mannerists Prints,” Print Quarterly, VI, 2, 1989, 187190
Borea, 1965 Borea, Evelina, Rosso Fiorentino (I Maestri del colore, no. 106), Milan, 1965, (unpaginated)
Borea, 1979 Borea, Evelina, “Stampa figurativa e pubblico dalle origini all’affermazione nel Cinquecento,” Storia dell’arte italiana, Part I, Materialie problemi, Vol. 2, L’artista e il pubblico, Turin, 1979, 317413
Borea, 1980 Borea, Evelina, “Stampe da modelli fiorentini nel Cinquecento,” Primato del diseano, 1980, 225286
Borghini, 1584 Borghini, Raffaelo, il Riposo, Florence, 1584; facsimile ed., Hildesheim, 1969; ed. Mario Rosci, 2 vols., Milan, 1967
BorghiniBottari, 1730 Borghini, Raffaelo, Il Riposo, Florence, from 2nd ed. of 1730 with notes by G. Bottari, 3 vols., Classici italiani, Milan, 1807
Borgo, 1968 (1976) Borgo, Ludivico, The Works of Mariotto Albertinelli, PhD Thesis, Harvard University, May 1968; New York, 1976
Borroni and Kozakiewicz, 1976 Borroni, F. and H. Kozakiewicz, “Caraglio, Dizionario Biografico degli italiani, Rome, XIK, 1976, 615618
Bottineau, 1962 Bottineau, Yves, L’art d’Anae-Jaaues Gabriel A Fontainebleau (17351774), Paris, 1962
Bousquet, 1964 Bousquet, Jacques, Mannerism. The Painting and Style of the Late Renaissance, trans. Simon Watson Taylor, New York, 1964
Brandi, 1980 Brandi, Cesare, Disegno della pittura italiana, Turin, 1980
Bray, 1935 Bray, Albert, “Les origines de Fontainebleau. Fontainebleau avant Francois Ier,” Bulletin monumental, 1935, 171214
Bray, 1940 Bray, Albert, “Le premier grand escalier du Château de Fontainebleau et les anciens escaliers de la court ovale,” Bulletin Monumental, 1940, 193203
Bray, n.d. Bray, Albert, Le Château de Fontainebleau, (Les plus excellent bâtiments de France), Paris, n.d. [1956]
Briat, 1964 Briat, Réne, “Fontainebleau retrouve sa jeunesse,” Plaisir de France, July 1964, 1223
Brieger, 1938 Brieger, Peter H. “Principles of French Classic Painting,” AB, KX, 1938, 389358
Briganti, 1945 Briganti, Giuliano, Il Manierismo e Pellearino Tibaldi, Rome, 1945
Briganti, 1953 Briganti, Giuliano, “Una Madonna del Rosso,” Paragone, IV, 43, 1953, 5153
Briganti, 1961; 1962 Briganti, Giuliano, La maniera italiana, Rome, 1961; Italian Mannerism, trans. Margaret Kunzle, Leipzig, 1962
Briganti Colonna, 1955 Briganti Colonna, Gustavo, Gli Orsini, Milan, 1955
BrionGuerry, 1955 Brion-Guerry, Liliane, Philbert de l’Orme, Milan, 1955
Briquet Briquet, C.M., Les filigranes, 2nd ed., Leipzig, 1923; reprint, New York, 1966
Brilli, 1994 Brilli, Attilio, Itinerari del manierismo in Toscana, Cinisello Balsamo (Milan), 1994
Brizi, 1838 Brizi, M. Oreste, Nuova Guida per la Città di Arezzo, Arezzo, 1838
Brookes, 1965 Brookes, Peter Cannon, “Three Notes on Maso da San Friano,” BM, CVII, 1965, 192196
Brown Butters and Elam, 1980 Brawn Butters, Suzanne, and Caroline Elam, review of Florence. Firenze e la Toscana dei Medici nell’Europa del Cinquecento, BM, CXXII, 1980, 354365
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