This month is the fifth anniversary of the launch of Fabien Bièvre-Perrin’s Antiquipop, a website that, like Pharos, documents appropriations of Greco-Roman antiquity in the contemporary world. But whereas the pages of Pharos are filled with regressive interpretations and distortions of the ancient past, Antiquipop celebrates the deployment and reanalysis of that past in contemporary art, film, fashion, and music. On Pharos you will find examples of Greco-Roman antiquity being used to exclude, to erase, to threaten, and to oppress. On Antiquipop you find engagements with antiquity that are intended to appeal to broad audiences, engagements that, by simultaneously invoking and questioning the prestige of the Classical past, promote a sometimes radically inclusive vision of what the Greco-Roman world might mean in the contemporary world. And so, in celebration of the fifth birthday of Antiquipop your friends at Pharos offer this documentation of some Classical references in the work of a prominent member of the French far right, as an illustration of how vital your work is to the project of rejecting the claims that hate groups make on the ancient past.