Musical Urbanism | Blogging at the intersection of urban studies and popular music: MUSICALURBANISM.ORG

dance with me while they sleep: the 7″ singles of Martha and the Muffins

by Leonard Nevarez on Jan 22, 2020 • 3 Comments

Let’s start with the obvious: Martha and the Muffins were never a ‘singles band.’ The musicians in Canada’s greatest new wave band came of age in the 1970s, a time when the rock album was the format of choice for mass audiences and (in the case of the young Muffins)...

Leonard Nevarez

the story of DinDisc Records

by Leonard Nevarez on Mar 1, 2019 • No Comments

OMD were a perfect fit for what I had in mind for DinDisc — they had a serious, artistic side with real depth, as well as a commercial, pop side. That duality was reflected in all the early DinDisc signings, like Martha and the Muffins, and then the Monochrome Set....

Leonard Nevarez

how the Queen Street West scene began, pt. 1: the Thornhill sound

by Leonard Nevarez on Sep 11, 2017 • 6 Comments

THE EVERGLADES are ambassadors of the Thornhill Sound, a sound long fermenting in the rec rooms and condo apartments just north of STEELES AVE. Among its proponents include: Martha and the Muffins, Johnny and the G-Rays, the B-Girls, and the now defunct Dishes, Cads, E-Static and the legendary Oh Those...

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in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

by Leonard Nevarez on Jun 23, 2015 • 7 Comments

I’ve never quite understood why the Gun Club, one of the all-time great Los Angeles bands, had an estranged relationship with their city of origin. It seems to me no local critic or serious music fan can deny their impact on L.A.’s music legacy. One of the great cult bands...

Leonard Nevarez

putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

by Leonard Nevarez on Oct 17, 2014 • No Comments

Over the last month I’ve been writing for Sound It Out, a new music blog that covers adventurous new music from a snark-free, consumer-friendly point of view. “The music may be evil, but we’ll try not to be” is the motto. Most of my writings there are basic reviews and...

Leonard Nevarez

the greatest reinventions in pop-music careers, #50-41

by Leonard Nevarez on Jul 22, 2014 • No Comments

Today I take up a question of pop-culture history: which performers made the most unexpected left turns with their careers? I farmed this question out awhile back to readers of this blog, and today I start filing the results based on my own subjective assessment. Debate and criticisms are welcome...

Leonard Nevarez

Martha and the Muffins: a book project in musical urbanism

by Leonard Nevarez on Jun 18, 2014 • 4 Comments

This summer I begin in earnest a new research project on the Canadian new wave group Martha and the Muffins. I’ve blogged about them extensively already, focusing on the mixed-gender approach and geographical sensibilities that inform their work. The book I intend to write will incorporate these into a new...

Leonard Nevarez

sound in 70 cities: the European urbanism of Simple Minds

by Leonard Nevarez on Aug 6, 2013 • 14 Comments

Dream, dream, dream It’s the eighties’ youthful theme Loving the city A theme for great cities And loved ones And love – “Wonderful In Young Life” (1981) Americans know them mostly as “that Breakfast Club band” from the 80s, but Scotland’s Simple Minds have carried on in one form...

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musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening

by Leonard Nevarez on Jan 18, 2013 • 3 Comments

Last summer I took a family roadtrip and was driven slightly insane by the heavy rotation of Kidz Bop CDs on the car stereo. In a rare moment of solitude carved out of a frenzied week, I sent out these missives via Twitter: 1. if one promise of musical...

Leonard Nevarez

studying the college music scene and beyond

by Leonard Nevarez on Nov 11, 2012 • No Comments

Remember the bands that formed in college? You heard them at dorm parties, frat parties, apartment parties, the campus bar, battle-of-the-bands competitions, and impromptu outdoor settings. They practiced in dorm rooms, dorm basements, conservatory and theater rooms, backyard sheds, and laundry rooms, amusing/irritating neighbors and passers-by. Many college rockers and...

Leonard Nevarez

Tito Larriva: the hombre secreto of L.A.’s culture industry

by Leonard Nevarez on Jan 31, 2012 • 9 Comments

As a central destination for musicians, actors, filmmakers and artists, Los Angeles has more than its share of unsung, forgotten or behind-the-scenes figures who have made a significant mark on the city in the course of their careers. In this category, one of my favorites is Tito Larriva, who readers...

Leonard Nevarez

living the urban crisis at the new wave rent party

by Leonard Nevarez on Nov 10, 2011 • No Comments

I recently downloaded the reissued Human Switchboard album, Who’s Landing in my Hangar? Anthology 1977-1984, which set me off again obsessing about a subgenre of new wave that I’ve never really seen recognized. I don’t even know how best to name this subgenre, although I’m convinced it has a musical coherence. ...

Leonard Nevarez

looking for the Hudson Valley hipster

by Leonard Nevarez on Aug 8, 2011 • No Comments

In the town where I live, there’s been a lot of chatter over a recent NY Times article which reports how Brooklynites (an apparent synonym for NYC’s mobile, creative types) are descending upon the Hudson Valley area some 75 miles north of the city to live, visit, consume, and generally do...

Leonard Nevarez

musical urbanism: statement of a scholarly project

by Leonard Nevarez on Jul 21, 2011 • No Comments

It’s promotion review time for me, and in writing a research statement for the three anonymous sociologists evaluating my work, I’ve had the occasion to compile and synthesize my thinking on musical urbanism into a single essay. Think of this post as a users manual for understanding what I’ve been...

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how Joy Division came to sound like Manchester

by Leonard Nevarez on Jul 13, 2011 • 2 Comments

[Update: this blog post has been expanded and revised into an article for the Journal of Popular Music Studies.] I’m always puzzled when I hear how Elvis Presley or Mick Jagger “sounded black” when they first appeared on the radio. Back in the 70s, when I was a kid listening...

Leonard Nevarez

just stay put: an alternative vision for arts-based urban revitalization

by Leonard Nevarez on Apr 1, 2011 • No Comments

Here are some thoughts about a different way to think about arts-based urban revitalization, written in the form of a suspiciously confident manifesto. These ideas are completely pie-in-the-sky and fly in the face of the prevailing wisdom in this field, but I’m fine with that if it reveals some fallacies...

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M+M – “Black Stations/White Stations” b/w “Xoa Oho” (WAKE 7)

by Leonard Nevarez on Feb 6, 2020 • No Comments

“Black Stations/White Stations” b/w “Xoa Oho” Current/RCA Records WAKE 7 (Canada) Released in February 1984 Produced by Daniel Lanois, Mark Gane and Martha Johnson Exhausted by keeping a group of full-time members together, Martha Johnson and Mark Gane informed Jocelyne Lanois and Nick Kent after the final concert of the Danseparc tour (at Toronto’s Ontario...

Leonard Nevarez

Martha and the Muffins – “Several Styles of Blonde Girls Dancing” b/w “I’m No Good at Conversation” (WAKE 4)

by Leonard Nevarez on Feb 5, 2020 • No Comments

“Several Styles of Blonde Girls Dancing (Edited)” b/w “I’m No Good at Conversation” Current/RCA Records WAKE 4 (Canada) Released probably in spring or summer 1983 Produced by Daniel Lanois with Mark Gane and Martha Johnson Were you maybe disappointed by Martha and the Muffins’ use of album cuts for both sides of their previous two...

Leonard Nevarez

Martha and the Muffins – “World Without Borders” b/w “Boys in the Bushes” (WAKE 2)

by Leonard Nevarez on Feb 4, 2020 • No Comments

“World Without Borders” b/w “Boys in the Bushes” Current/RCA Records WAKE 2 (Canada) Released probably in winter or spring 1983 Produced by Daniel Lanois with Mark Gane and Martha Johnson Martha and the Muffins released two more album tracks for the second single to promote Danseparc. Opening with two thumps on the drums, “World Without...

Leonard Nevarez

Martha and the Muffins – “Danseparc (Everyday It’s Tomorrow)” b/w “Whatever Happened to Radio Valve Road” (WAKE 1)

by Leonard Nevarez on Feb 3, 2020 • No Comments

“Danseparc (Everyday It’s Tomorrow)” b/w “Whatever Happened to Radio Valve Road” Current/RCA Records WAKE 1 (Canada) Released in January 1983 Produced by Daniel Lanois with Mark Gane and Martha Johnson In 1982, Martha and the Muffins were freed from Virgin Records (though not yet Virgin Music, the publishing division) and handed back control of their...

Leonard Nevarez

Martha and the Muffins – “Swimming” b/w “Little Sounds (Excerpts)” (VS 1136)

by Leonard Nevarez on Feb 2, 2020 • No Comments

“Swimming” b/w “Little Sounds (Excerpts)” Virgin Records VS 1136 (Canada) Released probably in January 1982 Produced by Martha and the Muffins and Daniel Lanois The DinDisc imprimatur is gone: Virgin’s boutique indie label had folded by this time, and all its artists under contract were transferred to the parent company. Meanwhile, Canada’s Polygram division was...

Leonard Nevarez

Martha and the Muffins – “One Day in Paris” b/w “Women Around the World at Work” (104.209)

by Leonard Nevarez on Feb 1, 2020 • No Comments

Licensing this single to Germany’s Ariola label must have been a quick matter for DinDisc/Virgin, if the cheap design reproduced on both sides of the sleeve cover is any indication. Superimposed over a generic photo of the Eiffel Tower is a promo portrait of the defunct Martha and the Muffins line-up — Martha Ladly, Carl...

Leonard Nevarez

Martha and the Muffins – “Women Around The World at Work” b/w “Twenty-Two in Cincinnati” (DIN 34)

by Leonard Nevarez on Jan 31, 2020 • No Comments

“Women Around The World at Work” b/w “Twenty-Two in Cincinnati” DinDisc Records DIN 34 (UK) Released on August 28, 1981 Produced by Martha and the Muffins and Daniel Lanois In 1981, Martha and the Muffins were back in Canada for good; they wouldn’t have known it at this time, but they would only tour one...

Leonard Nevarez

Martha and the Muffins – “Was Ezo” b/w “Trance And Dance” (DIN 27)

by Leonard Nevarez on Jan 30, 2020 • No Comments

“Was Ezo” b/w “Trance And Dance” DinDisc Records DIN 27 (UK) Released on October 30, 1980 Produced by Mike Howlett More than any other Martha and the Muffins single, this feels like the one that got away. Like every single they released in 1980 after “Echo Beach,” this made no impact on the British charts....

Leonard Nevarez

Martha and the Muffins – “Suburban Dream” b/w “Girl Fat” (DIN 21)

by Leonard Nevarez on Jan 29, 2020 • No Comments

“Suburban Dream” b/w “Girl Fat” DinDisc Records DIN 21 (UK) Released August 29, 1980 Produced by Mike Howlett This is the second single that Martha and the Muffins issues in advance of their second album Trance and Dance. Upon its release, the lineup it features had already begun disintegrating with the departure of Martha Ladly...

Leonard Nevarez

Martha and the Muffins – “About Insomnia” b/w “1 4 6” (DIN 19)

by Leonard Nevarez on Jan 28, 2020 • No Comments

“About Insomnia” b/w “1 4 6” DinDisc Records DIN 19 (UK) Released on July 4, 1980 Produced by Mike Howlett Things were moving rapidly for Martha and the Muffins by June 1980. Metro Music had spent six weeks in the UK album charts, so the Muffins’ label DinDisc/Virgin were preparing the debut album’s global release...

Leonard Nevarez

Martha and the Muffins – “Paint By Number Heart” b/w “Copacabana” (VS 1115)

by Leonard Nevarez on Jan 27, 2020 • No Comments

“Paint By Number Heart” b/w “Copacabana” Virgin/DinDisc Records VS 1115 (Canada) Released probably in summer 1980 Produced by Mike Howlett Like the rest of the world outside the UK, Martha and the Muffins’ home country Canada took longer to embrace “Echo Beach” for the simple reason that Virgin proposed a wait-and-see approach and delayed the...

Leonard Nevarez

Martha and the Muffins – “Saigon” b/w “Copacabana” (DIN 17)

by Leonard Nevarez on Jan 26, 2020 • No Comments

“Saigon” b/w “Copacabana” DinDisc Records DIN 17 (UK) Released on April 11, 1980 Produced by Mike Howlett Woe betide the band choosing a follow-up single to “Echo Beach,” the unexpected smash hit for Martha and the Muffins and a commercial breakthrough for their label DinDisc as well. “Saigon” didn’t repeat that success, and the band...

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Blogging at the intersection of urban studies and popular music

dance with me while they sleep: the 7″ singles of Martha and the Muffins

the story of DinDisc Records

how the Queen Street West scene began, pt. 1: the Thornhill sound

in exile: the rootless cosmopolitanism of Jeffrey Lee Pierce and the Gun Club

putting the Hudson Valley on the musical map: Basilica Soundscape and O+ Festival

the greatest reinventions in pop-music careers, #50-41

Martha and the Muffins: a book project in musical urbanism

sound in 70 cities: the European urbanism of Simple Minds

musical suburbanism, pt. 1: Kidz Bop and the commodification of kids’ listening

studying the college music scene and beyond

Tito Larriva: the hombre secreto of L.A.’s culture industry

living the urban crisis at the new wave rent party

looking for the Hudson Valley hipster

musical urbanism: statement of a scholarly project

how Joy Division came to sound like Manchester

just stay put: an alternative vision for arts-based urban revitalization

M+M – “Black Stations/White Stations” b/w “Xoa Oho” (WAKE 7)

Martha and the Muffins – “Several Styles of Blonde Girls Dancing” b/w “I’m No Good at Conversation” (WAKE 4)

Martha and the Muffins – “World Without Borders” b/w “Boys in the Bushes” (WAKE 2)

Martha and the Muffins – “Danseparc (Everyday It’s Tomorrow)” b/w “Whatever Happened to Radio Valve Road” (WAKE 1)

Martha and the Muffins – “Swimming” b/w “Little Sounds (Excerpts)” (VS 1136)

Martha and the Muffins – “One Day in Paris” b/w “Women Around the World at Work” (104.209)

Martha and the Muffins – “Women Around The World at Work” b/w “Twenty-Two in Cincinnati” (DIN 34)

Martha and the Muffins – “Was Ezo” b/w “Trance And Dance” (DIN 27)

Martha and the Muffins – “Suburban Dream” b/w “Girl Fat” (DIN 21)

Martha and the Muffins – “About Insomnia” b/w “1 4 6” (DIN 19)

Martha and the Muffins – “Paint By Number Heart” b/w “Copacabana” (VS 1115)

Martha and the Muffins – “Saigon” b/w “Copacabana” (DIN 17)

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