Curriculum Vitae


2008 Kleinert/James Art Center, Woodstock, NY, Woven Walls, a 360 degree drawing installation. A temporary one in the main space and two longer lived ones (still there) in the two bathrooms 2007 Davis & Langdale Company, Inc.n NYC, 100 Most Popular Colors Gallery Kayafas, Boston, MA, Draped Wrapped and Covered 2006 Leslie Heller Gallery, NYC, One of four small one-person exhibitions running currently. The other exhibitions were Eill Mentor, Joyce Robins, Gary Stephan Atrium Gallery, St Louis, MO, Harry Roseman, Pictures of Things 2004 www., web exhibit, Ten of my photographs were shown in this on Line exhibition curated by Ellen Harris, the director of the Aperture Foundation Under the title of, “Directors Cut” 2003 Ellen Elizabeth Gallery, Harwich Port, Massachusetts, Harry Roseman: Photographs Davis & Langdale Company, New York, Cloth: Sculptures, Photographs, Drawings Davis & Langdale Company,New York, A Selection of Photographs of Joseph Cornell 2002 Gallery Joe, Philadelphia, Gravity 2001 The Cathedral Church of Saint John the Divine, New York, Draped, Wrapped & Covered: Photographs 1999 Davis & Langdale Company, New York, Harry Roseman: Photographs: Call and Response, Menil Collection, Houston, Texas, Utopia Observed: A Photographic Portrait of Joseph Cornell by Harry Roseman 1997 Davis & Langdale Company, New York, Inside the Box: A Photographic Portrait of Joseph Cornell by Harry Roseman 1996 Gallery Joe, Philadelphia, Pennsylvania, Harry Roseman: Recent Work Davis & Langdale Company, New York, Harry Roseman: Sculptures 1994 Davis & Langdale Company, New York, Harry Roseman: Drawings 55 Mercer Street Gallery, New York, Harry Roseman: New Work Gallery Joe, Philadelphia, Pennsylvania, Harry Roseman: Selected Work 1968-1988 1993 Davis & Langdale Company, New York, Harry Roseman: Recent Work 1989 Davis & Langdale Company, New York, Harry Roseman: Weave Drawings 1987 Davis & Langdale Company, New York, Harry Roseman: Sculptures 1986 Davis & Langdale Company, New York, Harry Roseman: Collages 1984 Barbara Mathes Gallery, New York, Harry Roseman: Recent Work Dart Gallery, Chicago, Illinois, Harry Roseman 1983 The University Art Museum, University of California, Santa Barbara, Harry Roseman: Contemporary Bronzes Daniel Weinberg Gallery, Los Angeles, California 1982 Daniel Weinberg Gallery, San Francisco, California 1979 Davis & Long Company, New York, Harry Roseman: Sculpture


2008 Martin-Mu;;en Art Gallery, SUNY Oneonta, Oneonta, NY, 2006 Lyman Allyn Museum, New London, Connecticut, Subject 2005 Samual Dorsky Museum, SUNY at New Paltz, Reading Objects 2005 UBS Art Gallery, New York, MTA Arts for Transit, Celebrating 20 years of Public Art 2004 National Academy of Design, New York, 179th Annual: An Invitational Exhibition of Contemporary American Art 2003 ZieherSmith, New York, Joseph Cornell Sentenial University of Essex, Colchester, United Kingdom, Boxing Clever: A Centennial Re-Evaluation of Joseph Cornell 2002 Suzanne H. Arnold Art Gallery, Lebanon Valley College, Pennsylvania, Suspend and Levitate Samuel Dorsky Museum of Art, SUNY New Paltz, New York, Past to Present: Recent Acquisitions, Promised Gifts, and Extended Loans, 1998-2000 Davis & Langdale Company, New York, Works on Paper 2001 Malca Fine Arts, In the Lake 2000 Lennon Weinberg, New York, Photographs by Painters, Sculptors and Photographers Gallery West, Suffolk Community College, Brentwood, New York, Collage 1999 Vassar College Center Gallery, Poughkeepsie, New York, Correspondence Gallery Joe, Philadelphia, Drawing Rules 1998 Marist College Art Gallery, Poughkeepsie, New York, Increments: Harry Roseman and Joy Taylor 1996 Vassar College Faculty Arts at Woodstock Guild, Woodstock, New York, Colleagues Museum of Art, State University of New York at New Paltz, Hudson Valley/Catskill Mountains Regional Exhibition: In This Time and Place 1995 The Gallery at Shepard Hall, City College of New York, Artists View the Suburban Landscape Museum of Art, State University of New York at New Paltz, Hudson Valley Artists 95: Domestic Policy Barbara Mathes, New York, Gallery Selections Gallery Joe, Philadelphia, Pennsylvania, A Good Likeness: Portraits by Contemporary Sculptors 1994 Paine Webber Gallery, New York, Art en Route: MTA/Art for Transit 55 Mercer Street Gallery, New York, Friends Atrium Gallery, St. Louis, Missouri, Patterns and Exotica: Images on Paper 1993 Sidney Mishkin Gallery, Baruch College, New York, Studio to Site: Public Art in New York City 1991 Achenbach Foundation for Graphic Arts, San Francisco, Recent Acquisitions, Part Two, 1950-1991 1985 Barbara Mathes Gallery, New York, Summer Group Show Barbara Krakow Gallery, Boston, Massachusetts, Landscape into Sculpture 1984 Rhona Hoffman Gallery, Chicago, Illinois, Private Act as Public Monument: Worlds Fair, Waterfront Park and Plaza Vassar College Art Gallery, Poughkeepsie, New York, Art From 1950 – Present Pratt Institute, Manhattan Center Gallery, New York, Beauties and Beasts 1983, 1984 Contemporary Arts Museum, Houston, Texas, Albright Knox Gallery, Buffalo, New York, Columbus Museum of Art, Ohio, Neuberger Museum, Purchase, New York, Portland Art Museum, Oregon, American Still Life 1945-1983 1983 University of Massachusetts, Amherst, Smallworks 1983 Willard Gallery, New York, Group Show Vassar College Art Gallery, Poughkeepsie, New York, Charlap, Roseman, Ryan Herron School of Art, Herron Gallery, Indianapolis, Indiana, R.S.M. Selections from a Contemporary Collection 1982 Rhode Island School of Design, Museum of Art, Providence, Recent Acquisitions La Jolla Museum of Contemporary Art, California, Recent Acquisitions Neuberger Museum, Purchase, New York, Area Code (914) (203): Eight Artists Rhode Island School of Design, Museum of Art, Providence, Metals: Cast-Cut- Coiled 1982 Hudson River Museum, Yonkers, New York, C.A.P.S. Sculpture Emerson Gallery, Hamilton College, Clinton, New York, C.A.P.S. Sculpture Dart Gallery, Chicago, Illinois, Neo-Objective Sculpture 1981 Jersey City Museum, New Jersey, 1981 Invitational Houghton Gallery, The Cooper Union, New York, Window Room Furniture National Academy of Design, New York, Henry Ward Ranger Purchase Fund Exhibition 1981-present Davis & Langdale Company, New York (Mostly annual Group Exhibitions) 1980 Artist’s Choice Museum, New York, Invitational Group Show Taft Museum, Cincinnati, Ohio, Recent Sculpture 1979 Marion Koogler McNay Art Institution, San Antonio, Texas, Annual Invitational Group Show 1977 Walker Art Center, Minneapolis, Minnesota, Scale and Environment: 10 Sculptors School of Visual Arts, Visual Arts Museum, New York, A Question of Scale 1976-1977 Queens Museum, Flushing, New York, Urban Aesthetics 1976 Artists’ Choice Museum, New York, Figurative Art in New York 1974 Summit Art Center, New Jersey, Group Show 1973 First Street Gallery, New York, Invitational Group Show First Street Gallery, New York, Still Life 1971 First Street Gallery, New York, Three Person Show


Achenbach Foundation for the Graphic Arts, Fine Arts Museums of San Francisco, California Addison Gallery of American Art, Philips Academy, Andover, Massachusetts The Beacon Companies, Boston, Massachusetts Museum of Fine Arts, Boston, Massachusetts Brooklyn Museum of Art, New York Cincinnati Museum of Art, Ohio The Heckscher Museum of Art, Huntington, New York Museum of Contemporary Art/San Diego, La Jolla, California Levi-Strauss Corporation, San Francisco, California The Menil Collection, Houston, Texas Philadelphia Art Museum, Pennsylvania Rhode Island School of Design, Museum of Fine Art, Providence Museum of Fine Art, Santa Fe, New Mexico Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York Walker Art Center, Minneapolis, Minnesota


2012 North Entrance, Library, Vassar College, This work consists of a 360 degree wall drawing plus an architectural steel sculptural element.  2001 John F. Kennedy International Airport, International Air Terminal, Arrivals Corridor, 600 foot relief sculpture, Curtain Wall 1996 Rockland Community College, Spring Valley, New York: outdoor free-standing sculpture comprised of four dispersed elements, Four Houses 1990 J.P. Morgan & Company, Inc. and Metropolitan Transit Authority, New York: Wall Street Subway Station, New York City, 40 foot polychrome bronze relief


2013 Guggenheim Fellowship2003 Curriculum Development Grant from the AT&T Foundation Publication Grant, Vassar College 2002 Carolyn Grant Endowment Fund Grant 2001 New York City Municipal Arts Society One of three works that won the 2001 Outstanding Public Art Project award. 1996 Research Grant, Vassar College 1990 Dutchess County Executive Arts Award for Art in Public Places 1989 Finishing Grant from Vassar College for video documentary The Unseen World of Public Art: The Artist’s Aspect 1986-1987 Dutchess Arts Fund Individual Artist’s Fellowship 1986 Vassar College Research Grant 1985 Mellon Grant, Vassar College 1983 Best Sculpture Award, Smallworks 1983 exhibit, University of Massachusetts,Amherst 1982 Creative Artists Public Service Program Grant (C.A.P.S.)


1991-1995 Member of the Metropolitan Transit Authority Art Advisory Committee 1990 The Unseen World of Public Art: The Artist’s Aspect: video documentary co-directed and co-produced with Ken Robinson 1986 Soft Sell: performance project conceived by Roseman with choreographer Marta Renzi and poet Daniel Wolff; large sculptures for set by Roseman, Performed at La Mama, New York 1982-1984 Participated in the reorganization of the studio art curriculum at Vassar College,Poughkeepsie, New York, and in the establishment of the college’s first studio art major 1973 Consultant for Joseph Cornell Memorial Exhibition, Queens County Arts and Cultural Center (The Queens Museum), Flushing, New York


2004 Time Out, Dec 18, 2003-Jan 1, 2004, “Man in a Box”, by Jules Verdonne, A rundown of events surrounding the centennial of the birth of Joseph Cornell Containing a color reproduction of my photograph, “ Cornell at the Window” Museum of Modern Art Film Screening Schedule,a photograph published 1999 Michigan Quarterly Review, “The Sorcerer’s Apprentice: A Conversation with Harry Roseman, Assistant to Joseph Cornell,” Nancy Willard, Winter 1999 (10 photographs published) 1998 Joseph Cornell’s Vision of Spiritual Order, by Lindsay Blair, Reaktion Books, (2 photographs published) 1997 Utopia Parkway: The Life and Work of Joseph Cornell, by Deborah Solomon, Farrar, Strauss & Giroux, (4 photographs and frontispiece published) Newsday, “Joseph Cornell’s Utopia,” Deborah Solomon, April 6, 1997 (3 photographs published) 1988 Sequoia, Winter 1988 (9 photographic self portraits published)


2007 The Brooklyn Rail, “In Conversation, Harry Roseman with John Yau”, Contains two reproductions of drawings and one photographic self-portrait, October 2007 The New York Sun, “Passion in Paint Chips”, David Cohen 2006 The Brooklyn Rail, “Joyce Robins & Harry Roseman Relief, at the New York Studio School”, with a reproduction of my work, “Curtain Wall Fragment”, John Yau, Dec 06/Jan 07, page 40 The New York Sun, “An Artistic Tug of War”, Brice Brown, Section II, Page 20 2005 Samual Dorsky Museum, SUNY at New Paltz, catalogue for Reading Objects. November 9 – December 11, reproduction of Mrs. Damery’s House plus 2 poems In response to the sculpture by Pauline Uchmanowicz and Robin Arnold. 2003 New York Observer , Review of exhibition, “179th Annual, An Invitational Exhibition of Contemporary American Art” at the National Academy of “Conflict of Interest”, Mario Naves, May 31, 2004 2003 The New York Sun, Review of exhibition, “Cloth” at Davis & Langdale Gallery, May 29, 2003, David Cohen 2002 Art in America, “Harry Roseman at Gallery Joe,” Robert Taplin, September, 2002 Art in America, “Art World, Awards,” April, 2002 2001 United Airlines – Hemispheres, “Terminal Bliss – New York’s JFK,” David Butwin, August, 2001 Newsday, “A Walk in the Clouds: Artist’s Airport Installation Looks Skyward in Spirit,” Nancey A. Ruhling, July 27, 2001 New York Times, “Being Met at the Airport by New Art,” Celestine Bohlen, May 24, 2001 Art & Antiques, “Art in the Air,” Melissa L. Pabalan, May, 2001 2000 Vassar, “Vassar Today,” Jessica Winum, Summer, 2000 1999 Vassar Views, “Private Process, Public Art,” Emery Bernhard, June, 1999 New York Times, “Inside Art,” Carol Vogel, February 12, 1999 1998 Poughkeepsie Journal, “Marist Exhibit Brilliantly Blends Contrasting Styles,” Wayne Lempka, March 5, 1998 1996 Art in America, “LeDray’s Microcraft,” Robert Taplin, September, 1996 The Herald, “In this Time and Place: Hudson Valley Artists Exhibit at the College,” Rich O’Corozine, July 18, 1996 Review, “Harry Roseman at Davis & Langdale,” volume 1, number 1, April 1, 1996 1994 The New Yorker, “Notes from the Underground,” September 5, 1994 The New York Times, “Raising Artistic Sights of Riders in Nether Regions,” William Grimes, August 22, 1994 The Philadelphia Inquirer, “Small Space, Little Sculptures, Big Impressions,” Edward J. Sozanski, April 1, 1994 Art Matters, “Sculpture Specialists Gallery Joe Present Harry Roseman,” Helen Mirkil, March, 1994 1993 Art in America, “Harry Roseman at Davis & Langdale,” Eleanor Heartney, October, 1993 1991 Dutchess, “Underground Art,” Amie Cox, May/June 1991 1990 The New Yorker, “Subscape,” May 28, 1990 The New York Observer, “A Bit at a Time, Underground Art,” Deirdre van Dyk, May 7, 1990 1989 Vassar Quarterly, “Blockbuster,” Dixie Massad Sheridan, Spring 1989 1988 The Atlanta Journal/The Atlanta Constitution, “Soft Sell is a Hard-Core Examination of Sex and Art,” Susan F. Hunter, May 7, 1988 Poughkeepsie Journal, “China Through an Artist’s Eyes,” Florence Pennella, March 27, 1988 1987 The New York Observer, Roberta Hershenson, November 30, 1987 1986 Dancemagazine, Amanda Smith, September 1986 Say! Arts New York, “Intimate Distance,” Louise Hamilton, June, 1986 The New York Times, John Russell, April 25, 1986 The New York Times, “The Dance: Soft Sell,” Jennifer Dunning, April 21, 1986 The Village Voice, “Words in Motion,” Deborah Jowitt, 1986 1984 The New York Times, Vivien Raynor, March 9, 1984 1983 Poughkeepsie Journal, “Faculty Art: Old Ideas and New Twists,” Steve Litt, February 25, 1983 1982 Poughkeepsie Journal, “Area Codes Exhibit is Informational and Rewarding,” Alice Forman The New York Times, “Behind the Exhibit, Ideas That Frame It,” John Caldwell, October 31, 1982 The Boston Phoenix, “Heavy Metals: A Tangle of Sculpture,” Kenneth Baker, September 14, 1982 1982 The New York Times, “Art: Realist Group Show at Davis & Langdale,” Vivien Raynor, August 6, 1982 1981 The New York Times, “Eschewing Boosterism in Jersey City,” Vivien Raynor, December 6, 1981 1979 ARTnews, “Harry Roseman,” Ellen Schwartz, Summer, 1979


1981 – present Vassar College, Professor of Art